Two seminal sonatas from the turn of the twentieth century begin the programme, signifying the end of nineteenth century romanticism. The beginning of modern music that grew out of it is explored through the works of Schoenberg and Scriabin, who developed atonality and a more concise musical language that produced music of extreme brevity.

The second half presents two opposing ways in which composers have composed in the aftermath of 19th-century Romanticism. Kaikhosru Shapurji Sorabji’s extreme eccentricity takes us into an entirely new sound world, while the music of Strauss unashamedly brings back Romanticism in its full glory.

Programmes can also include traditional Chinese music and transcriptions of pop/rock music. Concerts have entertaining spoken introductions, and detailed programme notes are always provided.